J. Raymond Meyers - Selected Reviews bio and resume

"J. Raymond Meyers demonstrated a solid tenor as the Duke of Mantua and lent his accustomed professionalism to the role."
- San Francisco Classical Voice 9/24/04

" as Alfred, the stereotypical Italian tenor, J. Raymond Meyers showed a flair for comedy. The role also gave him a chance for the interpolation of snatches of several operatic arias that exploited his vocal abilities."
- Mondo Times

"Mr. Meyers is well known in San Francisco Opera circles, and both voices brought shouts of bravo, bravo with everyone on their feet
- Santa Barbara News Press

"it was nevertheless a pleasure to hear the marvelously clear tenor, J. Raymond Meyers."
- Peninsula Reviews

Tenor J. Raymond Meyers performed with power and surety. In "Olim lacus colueram" (once I dwelt on the lakes, from "The roasted swan sings"), he declaimed fervently. We had truly great soloists."
- Santa Cruz Sentinel

"In trutina." Meyers' single scene, as the swan roasting on the spit, was suitably piteous but always musical, right up into the vocal stratosphere, memorably echoing Orff's unique definition of swan song."
- San Jose Metro

"The scene stealer, though, J. Raymond Meyers' witch, who cut a comically grim presence with a pea-green face and a sung-spoken, at times nasel style."
- Sacramento Bee

"The Flexible J. Raymond Meyers brought the bumbling marriage broker, Goro, to life."
- Montecito Journal

"J. Raymond Meyers plays the marriage broker with infectious humor"
- Santa Barbara Voice

"Meyers' comic expressiveness combined with his lovely tenor make his Goro's antics go over a bit more smoothly."
- San Jose Metro

"The Sacramento Opera production of Puccini's Madama Butterfly is so terrifically well done, it's overwhelming. J. Raymond Meyers wa perfect as the scheming marriage arranger (in a derby hat) Goro."
- Sacramento Bee

"J. Raymond Meyers sang the role with a sweet focused tenor."
- Bay City News Service

"Soprano Meghan Conway and tenor J. Raymond Meyers sang the young lovers, Nanetta and Fenton, with admirable youthful glimmer. This proved a major plus, for although these are relatively minor characters in the plot, Verdi gave them the only thing approaching real arias in his finest comedy."
- San Francisco Classical Voice (6/01)

"The chemistry between the poet Rodolfo, played by tenor J. Raymond Meyers, and the seamstress Mimi is particularly credible, and their torrid love duet heats up Act I like a blast of sirocco wind off the Sahara. Forget Nicolas Cage and Cher in 'Moonstruck.' Here is a couple who were meant for each other, and the bounty of their voices intertwining brings tears to the eyes."
- The Press Democrat

"In Pagliacci, tenor J. Raymond Meyers gave the role of Beppe/Harlequin exquisite, sensitive lyricism."
- Santa Barbara News-Press

"As the troubadour Beppe, J. Raymond Meyers foiled the work's central intensities with spontaneous wiles and beguiling tenor."
- San Jose Metro

"The Bear, of course, is Vasek, tenor J. Raymond Meyers in a nimble vocal and theatrical performance."
- San Francisco Chronicle

"J. Raymond Meyers as ditzy lawyer Dr. Blind is hilarious too."
- Register Pajaronian

"Flitting about on stage like a rabid bumble bee, J. Raymond Meyers' nervous Mercury kept the audience in stitches."
- Anchorage Daily News

"Invigorating young voice - tenor J. Raymond Meyers as Camille..."
- Santa Clara Vision

"...and Bardolfo, magnificently played by the merrily ridiculous J. Raymond
- Sacramento Bee

"...and J. Raymond Meyers as a strong Monostatos."
- Opera News

"Enoch Snow is a do-gooder fisherman who sets out to have - and succeeds in having - a large loving family and successful business. J. Raymond Meyers returns to Woodminster in this role and delivers a delightful performance."
- Theater-Express

"J. Raymond Meyers, as Snare and Shallow, spent much of his time in comic shtick and his bright tenor voice projected remarkably clearly, even in the ensembles."
- San Francisco Classical Voice